Summary:
In the Song of Songs, the Holy Spirit, by way of wise-Solomon, gives us 'the most sublime song.' It's the greatest love-song in existence, and it starts rather steamy. The bride longs for the physical intimacy overflowing from the experience of the bridegroom's most precious love. But in light of that, she is, perhaps, quite the opposite of what we might think at first. Properly understood, there is not a hint of impropriety. She's not a lusty dame. She's a bridegroom's beloved, and he's loved her with love-winning particularity. Alas, she is humble and hard-working, modest but motivated to be with her 'shepherd-king.' And as such, he meets her insecurities with his reassuring words. She longs to be with him, and he longs to be found by her. The way made, the embrace renewed, he adorns her with his tender words. She is his queen. And their shared affection for one another, their mirrored love, finds, as a good and lovely effect, a 'green couch.' Their love and devotion to one another, soul and body, is aromatic of Edenic love and life. They breathe each other in with the sweetest (and most fiery!) intimacy, the curtains close (for now), and so begins The Song of Songs, a song that ultimately preaches to us, as biblical marriage and marital intimacy do, about the relationship of love, the best and most soul-satisfying love, between Christ and His church, between us and our loving Lord. With respect to it, is it our prayer: draw me after You, let us run?
Sermon Outline:
- The greatest Song. (1:1)
- A Romanee-Conti love. (1:2-4)
- A shepherd's touch. (1:5-11)
- A green couch. (1:12-17)
- Draw me after You, let us run.